Listen
to this, my father said.
His hair was pulled back into a frizzy brown ponytail.
When he wore it down, people thought he looked
like Charlie Manson. His hippie friends got stoned
with him and swore he was Jesus Christ. But ponytailed,
he was just a typical bum in denim cut-offs, with
bare feet, a mustache, and for the moment, a navel-length
beard. Over the years, his beard would go through
short and long phases, full and thin phases, there
and gone phases, but his mustache would never leave
his face. Just
listen, he said again. You’re going
to love this.
He set the album on the turntable and lowered the
needle. Zappa again. I was five and I could already
differentiate between “normal” music
and Zappa music. Xylophones, horns, and guitars
all thrown together in a medley of weirdness that
my father worshipped. He danced across the living
room. Peaches
en Regalia, he yelled above the music.
I must have given him a strange look then because
he continued yelling, as if to explain: The
name of this song. Peaches en Regalia. You like
it?
I knew you’d like it.
He danced into the kitchen, over to the junk drawer.
Matchboxes, roach clips, a Ziploc full of pot,
my finger-paints, patchouli incense, a collection
of Ontario Hydro receipts, and his harmonica. He
lifted the harmonica from its case and began to
blow.
It didn’t belong in this song. Cacophonous,
even for Zappa—like a cheese grater rubbing
against my mother’s nylons. I cringed.
My father put the harmonica back in its case and
danced over to me. Peaches was coming to an end.
I heard the first notes of Willie the Pimp before
my father pulled the needle away from the vinyl
and brought the album cover to me.
I was propped up on the couch, three pillows beneath
my neck and a wet washcloth across my forehead.
My father tossed the album cover into my lap. Frank
Zappa Hot Rats: A purple-tinted picture of a pasty-skinned,
black-eyed freak peeking over a slab of pink granite.
The freak had a whole poodle’s worth of curly
hair on top of its head. The hair was blood red.
I
bought it for you, my father said. To make you
feel better.
The freak stared at me.
Earlier that afternoon, my mother had urged me
to sit inside an old doghouse. She thought it would
make a cute picture. I crawled inside and twisted
around to face the opening. My mother waved, smiled,
and removed the lens cap from our camera. My father
stopped talking to Roger, a bandmate of his, who
had crashed at our house the night before. They
both nodded in my direction and stared at me through
a thick haze of yellow and blue cigarette smoke.
I was the one being photographed, but from where
I was positioned, it was easy to pretend the adults
were the subject. My mother in the foreground,
her long Indian print skirt brushing over sandaled
feet. Our lawn messy with dandelions and other
shaggy weeds, running unevenly to the peeling fence,
where my father stood with Roger. They were smaller
than my mother, foreshortened, and the smoke drifting
around them made them appear unreal and distant.
The sky was an absurd blue bleeding down around
all of them and everything was framed neatly by
the church window-shaped mouth of the old doghouse.
I was smiling hard for the camera when I heard
a buzzing noise and began to feel flecks of what
at first felt like dirt spraying my face. It didn’t
take long to realize that these flecks were sharp.
My skin was being pinched and pierced. I swung
my arms wildly and began to scream. I heard my
mother’s voice yell Wasps! and then my father’s
arms, rough but warm, were reaching in and pulling
me out of the buzzing dog house.
The wasps had attacked me mainly from the neck
up. They had stung the inside of my nose and my
mouth, making it difficult to breathe. My entire
face was glossy and swollen with stings. My mother
ran every clean washcloth in the house under cold
water.
She sent my father to the store with instructions
to buy some children’s aspirin. He came back
three hours later with the Zappa album, and no
aspirin sight. By then, the puffiness in my
face had abated somewhat. My mother peeled away
all of the washcloths except for the one on my
forehead. My father bent over and adjusted it,
flipped it to the cool side. She’s fine, he said to my mother.
Only then did my mother begin to shout at him,
her long black hair swaying angrily against her
back. She followed him into the kitchen, where
my father’s voice took over.
I was alone on the couch with the freak.
When I
tell this story to my father now, he laughs so
hard he knocks over his mineral water and the
waitress has to bring him a new one. He doesn’t remember
a thing about the doghouse, the washcloths, the
wasps. He remembers the Zappa album, though, and
asks if I still have it. I tell him I do. He smiles
and sips at his mineral water.
That’s a collector’s item, you know.
Man, when I think of all those albums I left behind … he
shakes his head, still smiling, and taps his
fingers against the table. I gave you one
hell of a record
collection, he says.
No, I think to myself. I
took it.
Several months after the wasp incident, my father
left. He joined the carnival and traveled south
with his company for some bookings in the States.
Think of me as a bird, he said, I have
to migrate.
My sister was three weeks old.
Occasionally, he would send postcards. The postcards
never had pictures of the cities he and the other
carnies had visited. Instead, they were printed
on crinkly beige paper, and they all featured sketches
of a grinning gnome named Jackie. Stars, coils,
and exclamation marks floated around Jackie’s
head. On one postcard, Jackie was holding a goblet
of dark juice in one hand, a fat mushroom in the
other. There was Jackie sniffing glittery dust,
Jackie smoking a thick joint, and always on the
back of these postcards was my father’s
staccato handwriting. Unvaryingly, he began with
his trademark
greeting, High guys!
Once, my father sent a newspaper
clipping. It was a black and white photo of himself, taken in front
of the Tilt-a-Whirl. His face was leaner, his
beard longer. He had a mole between his eyebrows, which
he had always told me was his third eye, and
which the newspaper photo had made indistinct. A spotted
dog slept on his lap.
The caption beneath the photo said something about
my father adopting the dog, naming it Captain Beefheart.
Some basic information about pet adoption followed,
along with the address of the local Humane Society.
The caption mistakenly identified my father as
Paul Law, a name I had never heard before. Years
later, I would learn that he had been working in
the States illegally and had thought an alias was
necessary in order to avoid deportation. But at
the time, I was six. I knew only that Paul Law
was a stranger with familiar features.
The day after I received the newspaper clipping,
my hair began to fall out. I had tucked the photo
underneath my Cookie Monster pillowcase at night,
hoping that I would wake up to find Paul Law
gone and my father’s name in his place. But
the next morning, Paul Law was still Paul Law,
and
there were strands of my hair decorating Cookie
Monster’s cotton-poly head. The doctors
couldn’t
figure out what was wrong with me. They gave
me green shampoo that smelled like urine and
advised
my mother to have my hair cut short. But the
shampoo didn’t work and the haircut made
my bald patches even more noticeable. Finally,
I took
Paul Law and placed him in an empty box of Ritz
crackers.
I hid the cracker box in our basement.
I
thought that happened to your sister, my father
says. Anyway, I remember your mother calling
me all freaked out about one of you going bald. Paul
Law. Man, do I remember Paul Law. It wasn’t
just an alias, you know. It was a way of life.
A philosophy.
What do you mean? I ask.
The waitress brings our salads over and places
them on the red and white checkered tablecloth.
My father doesn’t wait for her to leave
before he answers my question. He is not like
me, not
like me at all.
Think about it, he says, Naming yourself after
your enemy. I was hiding from the law, so I became
Paul Law. I was someone else. I could do anything
I wanted and no matter what I did, it wasn’t
really me doing it. You see?
I nod vaguely at him. For so
many years, I have been silent. I lean over and stab a cherry tomato
with my fork.
Eventually, my
father ended up in Hollywood, Florida. He paid
$760 cash for
an old green and yellow
trailer home in the Oak Grove mobile home park and summoned
us to join him there. My mother sold all of our
belongings that didn’t fit into her trunk,
and we arrived just before Christmas. Our first
day there, we bought a sack of oranges and grapefruits
from a roadside fruit stand. We paid twenty bucks
for a two foot tree. It bled sap all over the
back seat of our Buick. At home, we stood the
tree up
inside an old lobster trap and ate the oranges.
That night, my sister and I watched a Sesame
Street Christmas special starring Oscar the Grouch
and
Big Bird. My father sat with us.
If that bird starts talking, he
said, I’m
outta here.
And by the time our tree came
down a week later, he was.
My mother panicked and took
two jobs. In the mornings, she cleaned a bar named MacDees. My sister and
I went with her and fought over who got to play
Ms. Pac-Man and who got to sing disco songs into
the microphone on the corner stage. My mother
emptied ashtrays, bleached toilet bowls, and mopped up
beer and broken glass. At nights, she waitressed
at Mickey Rats, a late night lounge along the
Intracoastal, while my sister and I sat on the front porch of
our trailer, eating pizza and listening to Alma,
our babysitter, tell horror stories.
After a few weeks, my mother decided to sell the
Buick, which she had not been able to start since
my father left. She put an ad in the paper, but
when five days went by without a single reply,
she finally sold it to Pigpen, Oak Grove’s
resident junk man. He gave her ten bucks and
sat behind the wheel while my mother pushed the
car
three speed bumps down to his trailer. The next
day, he made a point of driving past our home
several times, honking the horn, waving, and
grinning a
big toothless grin.
Within a week, the Buick’s backseat was window-high
in aluminum cans. Newspapers were stacked in a
pile on the passenger seat, and the trunk was tied
open. Inside the trunk sat Pigpen’s wife.
Together, they rode slowly around the trailer
park. Whenever Pigpen spotted an empty beer can
or a
drifting sports section, he would yell to his
wife, who would jump out and retrieve it. Our
old car
looked terrible, but the trailer park was pretty
damn clean.
My mother was relieved when my father wrote to
us a few months later, saying that he would be
coming home. She gave two weeks notice at MacDee’s
and got a haircut.
On a weekend in mid-July, my
father was dropped off in front of the trailer park. The first person
he saw was Pigpen, tooling around in his recycling
bin on wheels.
The waitress clears
our salad plates. My father winks at her and
says Thanks, dear. She rolls her
eyes and walks away.
Look, my father says. I don’t remember any
of this. If I made some mistakes, I’m sorry.
But I’ll tell you one thing. You weren’t
exactly the perfect daughter, either.
I pick at my paper napkin, while
he describes the one thing he remembers about my childhood. The
day I ran away at Disney World. Only he has the
story all wrong.
You just took off, he says. We
turned around and you were gone. Do you know what it’s like
to just lose a kid like that? We didn’t know
what to do. Can you imagine what might have happened
if we didn’t find you?
He actually manages to sound
sincere.
You ruined our whole trip, he
says.
But he doesn’t remember that there almost
wasn’t a trip at all. He doesn’t
remember getting so drunk the night before
we were supposed
to leave that he pulled our phone off the wall
and threw it at my sister. He doesn’t
remember smashing our cable television box,
spilling leftover
chicken cacciatore all over the kitchen, passing
out in the bathtub with his clothes on.
My mother was furious. She told me and my sister
to pack our things anyway, we’d go with or
without him. We heard her screaming at him, swearing
that this was the last straw. She’d take
us up to Disney World and then keep right on
driving and never come back. He sat in the bathtub
moaning
until morning, when he surprised all of us by
brushing his teeth and adding his hastily packed
duffel
bag to the cluster of luggage by the front door.
My sister and I had to keep quiet during the
drive up so that he could sleep off the remainder
of
his hangover.
Once we were inside the Magic Kingdom, I decided
that I didn’t want to leave. While my family
huddled over a map of the park, I walked slowly
backwards a few steps, then turned and ducked into
a souvenir shop. I was amazed at how quick, how
simple it all was. One minute, I was a member of
an anonymous family of four on vacation, all of
us at least somewhat similar with our deep tans,
T-shirts, and long, dark hair. The next minute
I had disappeared, slipped into obscurity with
an effortlessness that made me wonder whether I
hadn’t grown invisible. Almost immediately,
I became aware of the physical difference my departure
had produced. Everything about my body felt vulnerable—my
skin prickled, my mouth felt dry, my hands clenched
and unclenched with the same unconscious exertion
my heart required to beat. The people around
me seemed to be talking much louder and I cringed
as dozens of conversations wound through my head.
I stood motionless near a window which provided
me with an unobstructed view of my parents and
my sister. I found it strange and more than a
little
unnerving that they looked no different from
the other families visiting the park that day.
I started
wondering what kind of secrets some of those
other people carried around with them and before
I knew
it, I was immersed in a sea of potential enemies.
Every person around me was a possible murderer,
rapist, kidnapper. A woman in line at the register
was complaining to anyone who would listen about
the outrageous price of photographic film in
the park. I turned in the direction of her voice
and
saw that she had a daughter about my age, standing
next to her, quietly dragging her zipper up and
down the front of her windbreaker. I was just
beginning to imagine what secrets they might
be hiding, wondering
whether or not there was a husband/father and
where he fit in, when I felt a hand wrap around
my wrist.
Before I could scream, I realized my father was
pulling me out of the store, his forehead glistening
with sweat, his fingers cinched tightly around
my wrist.
I brush the napkin shreds from
my lap. My father looks at me from across the table and shakes his
head.
We’re so different, he says. So
different.
After my mother explained away
the Buick, my father told her that some of his buddies from the carnival
would be stopping by. They arrived later that
week, and my father introduced us to them.
This is my daughter Rita, he said, patting my sister
on the head. She’s a gymnast, and she’s
on the softball team, and she’s taking dance
lessons. And this is my other daughter. He flipped
a thumb towards me. She’s an asthmatic.
The carnies stayed with us for three weeks. They
smelled pretty bad and I had seen one of them spit
in our fruit salad, but for the most part, my sister
and I didn’t mind their presence. We
had fun learning new card tricks and snooping
through
their backpacks.
After they left, it was decided that my mother
would go back to working two jobs and my father
would stay home, making preparations to launch
his own landscaping business. He bought all kinds
of fancy, clicking pencils and green plastic stencils
with cut-outs of shrubs, trees, and flowers on
them. He spent a few hours each day leaning over
huge rectangles of gridded paper, carefully plotting
out gardens and storefronts for his small clientele.
He demanded silence while he worked, so my sister
and I stayed out of his way, playing with friends
outside until we heard our front door creak shut.
Rubbing his eyes with one hand, holding a cigarette
with the other, my father would emerge from our
trailer with a half-smile on his face. He’d
leave us with vague instructions to stay out of
trouble and then he’d toss his cigarette
on the ground and climb into the van he had bought
for his new business. He’d tell us to make
sure we were in the house by nightfall and then
he’d disappear to MacDees for the night,
his discarded cigarette still smoking in
the dust.
One evening, after he pulled out of the trailer
park, I went into the kitchen and carefully unrolled
one of his landscaping blueprints, spreading the
curled paper tight across our table. I stared in
surprise at the precision of my father’s
work—everything neatly stencilled and labelled
with painstakingly precise printing formed into
exotic words like bougainvillea and hydrangea.
But even beyond the scrupulous tidiness of the
design, there was a sweet beauty to my father’s
craftsmanship, to his vision. I found myself making
up colors and shapes for the plant names I didn’t
recognize. I imagined what it would be like to
shrink down into that wonderful layout, the foliage
springing to life around me while I roamed through
my father’s garden, marvelling all
the while that he was capable of such beauty.
I remember being silently disappointed when my
father threw all of his blueprints into the trash
and announced, after eight months, that the business
wasn’t working out. This was as much
of an explanation as we would ever receive.
He handed
the stencils to my sister and me and told
us to
go play.
Not long after the demise of the business, I came
home from school to find my hamster cage empty.
My father was in the kitchen separating the seeds
from some pot in one of my jigsaw puzzle box tops.
I asked him about Teddy, my hamster, and he looked
up at me. His eyes were red-veined and glassy.
I asked him again about Teddy, and he put his thick
hand on my shoulder and told me that he had buried
him in a Campbell’s Cream-of-Mushroom
soup can.
Because it was your favorite, he said. Not the hamster. The soup.
A few months later, my sister
was digging under our trailer for a place to bury her piggy bank.
She came across the soup can coffin and screamed.
There were tiny claw marks on the inside
of the can.
Stop it, my
father yells.
The waitress gives us a look
as she sets down our dinners. My father stares at his linguine. He shakes
a soft fistful of shredded Parmesan onto
his plate.
You’re making all of this up, he says.
I never did any of this. I was a happy drunk.
Ask
anyone.
My father is near tears. He
is so good at this.
By the time I was
in the eighth grade, my father was back into
the landscaping business, this time
as an employee at a local company. During
his third week on the job, a boulder rolled off of a company
truck and crushed his right leg. He had
to spend a lot more time around the house. We bought a
special mattress for him and put it in the living room,
right in front of the television. My
sister and I tiptoed around him.
You can’t con the con man, he would say,
convinced that we were keeping all sorts of secrets
from him. You can’t snow the snow man . .
. You can’t milk the milk man . . . You can’t
sand the sand man. All the while, Zappa would
be playing in the background. In between
cigarettes or painkillers, my father would
sing along with
Frank from his mattress.
In time, he was healthy enough to limp over to
his friend’s place on a daily basis
to get stoned. He wore an inflatable
cast on his leg and
used a cane, just in case anyone was
watching him, plotting to take away his
Worker’s
Compensation.
I was in college
when I began telling people that my father was
dead. He and my mother
had been divorced for a few years, and I had discovered the coolness
of silence. The last thing I said to
my father was I don’t know where your Zappa albums
are and then I simply stopped speaking
to him. Even after he dried out, I refused to
talk. If
I answered the phone and heard his voice
on the line, I hung up.
The few times he came over,
I stared silently through him while his voice grew louder and louder. I felt
his anger piercing my surface like bees.
But I maintained my silence.
By the time I went away to school, the silence
between us had grown. From that silence,
the story of my father’s death was born.
I told people he was crushed to death by a boulder,
that his
ashes were in a tin can at my sister’s
house. It was so easy to kill my father,
to tell people
he was dead, to pull it off.
My father
stands up and leaves the restaurant.
I sit at the table until the waitress
comes over
and asks if everything is okay.
Driving home, I think of my father’s
weaknesses, his failures. I can almost hear
the squeal of
balding tires pulling into the old trailer
park. I see
him stumble from the car door, eyes glazed,
kinky black beard jigging slightly in the breeze.
He
almost falls as he makes his way up the stairs
that lead to our front door. Inside, he shakes
my mother by her shoulders and slams her
head into the kitchen cupboard. He calls for
my sister
first,
then me. His voice is loud and penetrating.
My bones are drenched in his coldness. My hands
shake. He turns to face me and his breath is
dizzying.
Even now, the years spread behind me, my
hands gripping the steering wheel, I can feel
the old
fear creeping back. I handle once again the
old rage.
But I can also see him dancing
across the floor, Zappa loud in the background. He shuffles back
and forth while my sister giggles and skips
around his legs. I sit on the sofa, watching and wanting
to join, but holding back. The music grows
louder and louder. My father reaches a hand out towards
me. He asks me to dance with him. I take
his hand and feel its warmth, its strength. For that one
moment, I feel entirely safe and know that
nothing can hurt me. I let him pull me up and the laughter
comes so easily, so naturally.
At home, my son greets me at the door. He hugs
my knees and shows me the pictures he and his father
have drawn while I was away: blue dinosaurs and
purple woolly mammoths. I take his small hand and
lead him into a corner of the living room. I thumb
through my father’s album collection
until I find what I need.
My father has only seen my son on a handful of
occasions. I tell myself that this will change
when my father is older, softer, when time nudges
the last bit of sharpness out of his voice. But
even now my body shakes, half an hour after our
dinner. There are still so many pieces to sort
through—I keep shaping and reshaping my image
of my father like a sculptor never satisfied with
her work. Just when I think I have him, a fly lands
in the wet clay and when I brush him away, I accidentally
rub out my father’s eyes. And I can
never remember exactly how they were.
On the album cover, the freak’s hair has
faded to a dull lavender. His skin peels away in
soft cardboard flakes. It’s not much, but
it’s all I can salvage. For now. I
place the album on the turntable and aim
the needle
at Peaches en Regalia. My son
smiles at me and curls up in my lap.
His body is so
small.
Listen to this, I
say.
Previously
published in The Florida Review.
THERESA
BOYAR lives with her husband and two sons
in Helena, Montana, where
she is currently working on a collection
of short stories. Her poems and essays
have recently appeared in Stirring,
The Pedestal, Eclectica, Poet's Canvas,
Slow
Trains, Small Spiral Notebook, Pierian
Springs, and Samsara Quarterly. |
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