Featured Contributor: Rochelle Mass

knifing through the diatoms
you worry that her life has become
a pale green softness
while yours comprises raggedy slips and stories
of soured limes and bile

you steer your craft upon the obsidian sea
the cold stars
twinkling on the flint edge of
winter’s waves

you have humbled yourself leaning
upon the steel-strung rail
worshipping
waters
with a pint of gin
and your face as grey as monday’s laundry
you marveled how the taste of blood
is the taste of sea
is the taste of tears
and how
those letters hurt, the stabbing scent of
soap and cinnamon the razor sting of
little teeth
her little mouth
moist briny lips of mollusks rubbed against a fresh rope cut
shell her tiny hands small finger-buds of
coral sweet
polyps of purity
bending and adapting and

it doesn’t matter now

nineteen hundred something or other
when fathers graspt the things they feared they’d miss
and never graspt the things they might have known
and boys marched past with stares that shamed you
oh! how dare you try and guess their fear
how dare you

then and

now it’s April, May or June
and she in starchy apron
standing close upon the lawn she
could not have mown alone
(not all this time)
with smiles that do not come from years of missing
you
(where is that boy?) 
you steal the neighbors’ violets and
lilacs
she used
to love them
used to
you tossing them in the hedges
as you walk away
because you can’t

you just can’t

and so you
stay away

later you will
send along the souvenirs of
one who might have been
but just can’t any longer

MELISSA BELL lives in Toronto. Her work has previously appeared in McSweeney's and The God Particle.