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At age seven I vowed
to never again bite a worm in half. Nasty creatures, worms; I have no
idea what possessed me to do it. Actually I do. I remember Melissa Saunders
dared me, and Peter Luke. So I did it. I couldn't have them jeer at me
and go screaming round the road that I, Sophie Wilson, was a coward. "Soppy
Sophie" they'd shout. I was such a sad child that I needed their
friendship, more than they needed mine. They only came to my house because
I had the biggest garden on the road, with a small inflatable pool with
seats, a huge climbing frame, a swing, and trees to run around.
I lacked for nothing.
My mother refused to
give everyone lemonade like the other mothers did when I was invited into
their gardens. My mother never bathed topless like some, so the boys never
came round to stare at her non-existent tits.
When not in my garden
everyone else went to the Brownies or Cubs or ballet lessons or piano
lessons. I was too scared. Of course I like to look back at that time
and say that I recognised from an early age that I wasn't a joiner, but
an elitist-on-the-edge-of-things loner. But secretly I really wanted to
join those activities. To this day I have no idea what really happens
at Brownie meetings; it's a secret life from which I have excluded myself.
I blame an accident I had when I was five for this fear.
I was trapped inside
one of those material caterpillarsa big green tunnel held in shape
by coiled wireby two older boys at either end whilst at nursery
school. When they finally let me out I vowed never to go in one of those
horrid things again. I tried to get my mother not to let me go back at
all but she liked the independence me being at nursery school gave her
to go to work. Memory is so flimsy. I find it odd that at the age of five
I existed, ran around, used words, thought, and ate, but now in my mid-thirties,
packing to eventually leave, I hardly remember anything about that former
self.
Twelve, and I vowed
never to let the other girls see me crying. I think I kept to it, though
I can't be sure. I search and search my memory for all the details. I'd
like to remember the details, to figure out why. So much happens to us
in our lives; how is it possible to remember every minute, every event,
everything anyone says to us? Words are said, things happen that fill
up our time, but ultimately they're worthless because we don't remember
them. We only remember the moments too unique to forget.
At twelve I was far too
sensitive to children's cruel ways of dealing with each other. I let them
get to me; I let them influence me. I am no longer so influenced. I stand
firm, steadfast, as I stand firm now to the decision I have made, no matter
what the consequences. As adults we are more polite in our everyday actions.
It would be considered far too rude to pull a girls skirt down in
the middle of Covent Garden's Crush bar. Such a person would be considered
psychotic, socially maladjusted, but it goes on in playgrounds every school
day all over the country. It's called playing. No wonder I was scared
about joining in when joining in meant insecurity. Would it be your turn
to have you skirt pulled down, or be sent to Coventry, or to decide today
would be the day when they would practice their linguistic skills by calling
you all the names they could possibly dream up? Every day I feared playtime.
I feared being seen to be alone. I feared what my friends would do to
me. My friends played kiddie power games with my head.
What I really remember
was the day in Art I was sitting quite comfortably doing a drawing of
the French Revolution: culottes, berets and guillotines. The world seemed
calm; I was surrounded by my friends, the class was busy with their drawings;
a few days to go and we'd be free, out in the long breath of summer holidays.
I stood up and crossed to the other side of the room to get a new piece
of paper. I was only gone a minute but a minute was all it took for them
to banish me, like a coven of witches huddled over their drawings, from
their table, from their small world. No explanations, nothing. I cried,
as I walked to find another seat and listened to their cackles, their
laughter. No one showed any shame or remorse.
It was then that I vowed
never to let them see me crying again. I hardened to bossiness, to leading
instead of being led. The following September I returned a different person.
Survival depends on being
stronger than they are. Strong enough to do what you believe in, even
though others around might think you mad. My husband has let me so far
do what I want without ever imagining what I plan to eventually carry
through. I feel sorry for him but other things have to come first. It
is far too late to change anything. I have to carry this through. Any
day. Any day now.
At twenty-three I vowed
to pick my men more carefully, to choose the lambs, not the monsters,
the winsome, not the wicked. Yet unlike worms they were hard to avoid;
I came across them wherever I went. What we have to do to find even the
semblance of happiness. I heard so many of my friends say they'd hate
to be a teenager again; having to go through the mournful lovesick period,
the insecurity of face, smile and desirability. I took that further: I
would hate to be a child again. I pitied children; they had so much hope,
so much to look forward to, so much to learn about adulthood. We spend
only a small proportion of our lives as children but what happens then
affects our thinking forever.
I decided then at twenty-three,
that I, Sophie, being of sound mind, would never bring into this world
other children to taunt, tease, be afraid as they grew into maturity,
even if I found the right man. Any man who loved me would have to love
my childlessness. It wasnt an awful childhood; its just childhood
itself that is the burden. Why have it?
But then the big 3-0 came
upon me and my body became a traitor. Ironic that it should be my body
that betrayed me rather than the man I married. He wasn't bothered either
way. Some men are like that; not everyone is child-obsessed. He accepted
my views with an indifferent shrug of his shoulders. I have this image
of him returning to his newspaper after I announced my intentions, a reaction
that convinced me that after our vows he wouldn't change his mind. But
as time went on I began to see my body in its beautifully inviolable state
as a waste; as not fulfilling some pre-ordained function; a walking, empty
useless woman as I flushed the monthly symbol of my childlessness down
the loo. My body ached for wholeness. Friends' children suddenly looked
pretty and endearing and the bringer of immense happiness where before
they were just devils in angelic guise. I would hold them in my arms and
feel their dependency, their love for their mother. I longed to be needed
like that, where you knew you had their complete trust, their faithful
love. As I held their children in my arms I could imagine a love like
no man could give. A love for which you didn't have to dress up in high
heels, short skirts and a bright ever-open mouth. A love that could not
fail through verbal misunderstandings. With that love a child could be
taught, shown, encouraged, led away from the cruelty that I associated
with childhood. I wondered where that love had gone in my own youth, why
I no longer loved my own mother with such devotion. Why should it have
changed? At what moment did I, as a child, realize I no longer needed
my mother, and my love slipped away to take its place behind a façade
of self-possession?
My first miscarriage was
two years ago. I had been getting used to the sickness, the bloated feelings,
the idea that my body had been invaded by something I couldn't see, couldn't
control. I was trying to have a smiley, stress-free pregnancy without
considering myself an invalid, a vessel to bring another human into the
world.
The day it happened I
was walking down our street on the way to the shops to buy yet more fruit.
I was three months pregnant. By the time I saw our small terraced house
again with its pine furniture, delicate fabrics, subtle colours, my baby
had flooded out of me and was labelled clinical waste.
I had stopped to watch
some children playing football in the street, kicking a ball across the
street, bright colours dirtied by countless falls on the dusty tarmac.
A car came down the road too fast and for a split second I thought the
small kid scrabbling to the edge of the road would be run over. All I
remember is shouting "Oh, run, run." I stepped forward and slipped.
The car missed me but the pains had begun.
I couldn't believe it
had happened. It didn't floor me. I vowed not to be put off; I would try
again.
My second miscarriage
occurred last year. I spent three months not going outside for fear of
seeing children playing in the street, happy pregnant mothers, huge shapes
taking up space in the bus. I feared another accident. I molly-coddled
myself. This time I would bring that child into the world.
But it wasn't to be.
The child refused to be born; it trickled out of me as I stood at the
top of the stairs clutching my belly.
I'm due any day now. Any
day now.
The first five months
of my third pregnancy I stayed in the house, mainly in my bed. No way
would I risk this child. The doctor threatened to forbid me trying for
more children if this one failed. In bed I surrounded myself with health
and pregnancy magazines, making sure I was supplied with a constant supply
of water, fruit. My husband turned out to be a wonderful nurse. He never
complained. At night he would comb my long auburn hair with such care,
combing it out so that it hung sensually past my elbows. I do feel a twinge
of guilt when I dream about the future. He doesnt really deserve
this. He has treated me with the best of care, even though I am now wearing
out his patience.
It was while in bed that
I read the newspaper report on the group of children who'd terrorised
an old woman to death by ringing her phone at all hours, throwing shit
and litter through her letter box, taunting her on the street. Eventually
her heart had been frightened to death, as she stood surrounded by ten-year-old
terrorists. I felt her fear, I imagined those young faces, so unthinking,
circling her like vultures, stealing her purse, her miserly groceries.
I saw her fall to the floor as her heart reached breaking point. I imagined
them running away, suddenly afraid of what they had done.
I tried not to let it
bother me. These were isolated children, I rationalised, children from
poor homes who didn't know any better. Not all children were capable of
this. What had happened was splashed all over the papers, so I stopped
reading them and took to watching only comedy or old films on the TV,
which was where I saw Lord of the Flies for the first time. I was
sitting with my feet up on the sofa with Anna, a nine-year-old child who
belongs to my neighbour. She had come in a lot to help me. Her excitement
at the approaching birth had exceeded mine. By this time I was fearful
of the birth while looking forward to resuming myself again. I gave no
real thought to the child growing inside. Both Anna and I watched the
film in fascination. It was easy to see boys reverting to primitivism.
I thought at the time, if any girls had been on the island the situation
would never have happened. I had faith in girls.
Anna surprised me by
sharing the frenzy of the dancing tribes, dancing around the room mimicking
the film cries: 'Kill the beast! Cut his throat! Spill his blood!' and
exulting in the death of Piggy. Her face was one of pure, greusome enjoyment
as Piggy lay twitching. I watched this sudden primitive with growing unease.
Suddenly she came up
to me and said: 'Of course I'll babysit for you when the little one comes
along.'
She'd said this before
and I'd been pleased to see her cheerful, honest face. Here was a pure
child, I thought. She had one of those sweet angelic faces that looked
as innocent as when she was born. Long dark, slightly wavy hair that her
mother tied up in bows, and big brown eyes. Her mother kept telling me
how Anna helped around the house and was a joy to have.
When Anna said this to
me I felt my heart stop. I let her out of my house and watched her cross
the road, joining a small group of boys and girls. She spoke animatedly
and suddenly began to dance around; showing her friends the same frenzied
movements she had shown in my house. I drew away from the window and touched
my huge belly. The child inside knew nothing of the outside world. She
would come into it bald, untouched by images, unsullied by words, uncorrupted
by the selfishness of others. I wanted to cry. Could this child too turn
into a monster?
The next day I watched
the street again. The group was bigger. Children from neighbouring roads
congregated in our street. In one of the children's arms was a white cat.
Small hands stroked its fur. Five pairs of hands brushing its fur up and
down. They seemed hypnotised. The child who held the cat grabbed hold
of its tail and let the animal's body drop. The cat squealed and scratched
at thin air to get away. The children laughed as the boy holding the tail
began to gently swing the screaming cat around his body. Around and around.
I could see Anna laughing, jumping up and down, clapping her hands together.
I closed the curtains.
From that day to this
I haven't opened the curtains to the front. My husband puts up with it
as a symptom of a woman going slightly mad with pregnancy. He hopes that
once the child is born I will regain myself. Im not so sure.
Now I sit in my home
waiting for my child to appear. I make plans. I have taken the bell from
my door. I see no one, especially not children. I walk the garden at night,
feeling the cool breeze wrap itself around the shape of my child. I wear
a long floaty dress. I would like to walk naked but I can't risk drawing
attention to myself.
I have stopped seeing
friends, going to the gym, swimming. No one comes to the house. This near-empty
house is all I need. Once it was filled with beautiful things. I took
pride in our first home, spending all of my husband's money on cushions
and pictures. Fresh flowers.
I no longer go shopping.
And I don't watch television. It's dangerous. I know they think me mad.
And I have considered it to be true but I know that this is not madness.
I have a rationale; I have a pure crystal insight into the craziness of
growing up and I will do anything to spare my child that trauma. She will
not become Anna! She will not become me!
I'm not going to be
here much longer; I can't afford to. I can't afford for my child to become
infected by the children of the road. At first I shall keep her in, even
when she's older. I won't go walking to the shops pushing the pram, exposing
her to the stupidity of others, the threat of disease, wherever we are.
I shall keep my child at home; I shall be her playmate, her teacher and
all her friends rolled into one. My husband will find us gone one day
when he comes home from work. One day when she is about eighteen months
old. He will come home as usual at 6 p.m., switch on the early evening
news in the dining room that he has converted to his den. He never greets
me. I am nothing to him, though maybe he will call for the child. Once
we couldn't bear to be apart, once we would never part without some gesture
of affection. He will sit in his den surrounded by the furniture I moved
out of my bedroom, and chucked out of the living room. Facing the garden,
his den is the only room in the house with open curtains. The rest of
the house is shrouded. He will wait and then hell notice the silence.
It is either live like
this or do something far worse. He thinks I am capable of something worse.
We, my child and I,
will go deep into the mountains of Wales or Scotland, find an island without
children, or cross continents in search of remote peace. I think I would
die rather than see my unborn child suffer the coldness of childhood,
or for me to lose her love as she grows into puberty. There has to be
somewhere remote enough for us to live where my child can stay as pure
as when she was born.
There she goes kicking
me. Already our relationship has begun with cruelty.
Jai
Clare lives in Cornwall, UK. her short fiction has appeared or will
be shortly appearing in The Barcelona Review, Zoetrope All-Story Extra,
NightTrain, Winedark Sea, The Storyville Anthology, Absinthe Literary
Review, Redsine, QWF, Literary Potpourri, In Posse Review, Buzzwords,
and Voyage Magazine. She was also All Story Extra Guest
Editor for December/January 2000/2001, and is allegedly agented for her
novel, The Storyhouse, (long story!) and completing the first draft
of a new one.
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